The Fauve movement established the framework for many of the most well-known modern art styles, including Cubism and Expressionism. Original Fauvism Paintings and Artwork have three major features of Fauvist artwork that were remarkable deviations from 19th-century norms and set the stage for subsequent modern art movements.
Using color, interest in the artist’s subjective experience, and the unique quality of the subject and style are among the fundamental Fauvist contributions. Buy paintings online in Canada, with just click of a single click.
Fauvism and Color
Using color by Fauvist artists was perhaps their most significant contribution to modern painting. Throughout the nineteenth century, color was mostly used in a representational capacity that was based on the realism of the natural world.
By allowing a hue to just exist on the canvas in its capacity, Fauvist artists were groundbreaking in their use of color. While the color was still crucial in establishing the structure and tone of a painting, especially as the Fauvists encouraged individual expression, its usage no longer had to be related to the natural world.
Fauvist artists were concerned about color as self-expression. Color combinations and arrangements were the basis of Fauvist rhythm, form, and theme. The Color provided a portal into the genuine representation of subjective perception that was removed altogether from the original physical form for Fauvist artists.
Fauvism and Individual Subjectivity
The color was an important aspect of the Fauvists’ fundamental concern with expressing individual subjectivity. Fauvist works were frequently emotionally intense, accurately expressing the artist’s direct experience.
Each brushstroke for Fauvist painters was infused with their intuition, relationship with their subject, and emotional response to the world around them. For many Fauvist artists, the emotional depth of a painting was far more important than any theoretical or scholastic subject. Every feature in a Fauvist painting served a single purpose i.e., just to communicate the subjective experience to the viewer.
Fauvism Subject and Style
The third significant contribution of the Fauve movement to the development of twentieth-century contemporary art was its ability to balance a composition. Fauvist works have a powerful and unified compositional aspect, which Fauvists created by using intense colors with simplified forms. These two techniques elevated the importance of each compositional component by amplifying the intrinsic two-dimensionality of the paper or canvas.
Fauvism Paintings and Artwork focus on form and color. Unlike the Impressionists, who showed the modern city through paintings of Parisian music halls, cafes, and boulevards, Fauvist painters resorted to more classic and straightforward subjects.
Many Fauvist painters depicted figures in interiors, landscapes, portraits, and seascapes. While their topics may not have been revolutionary it was the manner, they depicted the subjective value of these subjects in a strong and unabashed color that defined the movement. Traditional subjects provided a platform for Fauvist artists to guide the observer through their creative journeys through color and brushwork. Buying paintings in Canada from online stores has become easier than you think.
The Development of Fauvism
Henri Matisse and Andre Derain are often considered by art historians as the forefathers of Fauvism around the turn of the twentieth century. These two artists served as the foundation for a school of young French painters who expressed themselves through basic shapes and bright colors.
Although this was the Fauvist movement, the roots of this 20th-century modern art movement may be traced back to the Impressionist and Post-Impressionist French painters.
Fauvist Foundations
Artists such as Seurat, Van Gogh, and Gauguin were regarded as the founders of the French Avant-Garde, and their experimentation with pure color, paint application, expressive line, and subject established the groundwork for Fauvism. Fauvist painters, like Impressionists before them, acquired the practice of painting directly from nature.
The Fauvist movement also took inspiration from the Symbolist emphasis on the internal vision of the artist. Adding to the melting pot that would become the Fauvist movement was the move by European art establishments to recognize African sculpture as an art form, rather than degrading them as mere artifacts of anthropological study.
European artists took new ideas of representation and form from African art, many of which, including solid and simple forms, would make up the foundations of Fauvist painting.
